As for daylight painting: I spent four mornings this week painting this corner - two mornings per painting. Enough time to meet and say hi to every dog, child, and art-friendly person in the neighborhood. Have I mentioned I love my neighborhood?
These are two very different paintings. The bottom one I did first, but after a while realized I saw a much more dramatic and interesting image in my head. So I started over and did the second painting (the top one) which I think is much more successful in terms of composition and color. I'd still like to try even stronger values, lights and dark... luckily with painting, there's always a "next time."
Everyone loves to see a painter on the street. People have good taste, too. When I feel confident that my painting is going well, lots of people confirm it with enthusiasm. But when a painting is in a "bad stage", no one says anything at all, at most a polite smile. Painting in public is humiliating and gratifying all at once.